Elif Shafak – the story no one hears
- "To say that there are two stories to the same issue…doesn't mean [they] have the same power. Sometimes one of those stories will be the story that no one hears….that is suppressed and erased and forgotten and pushed to the margins."
- "I think faith is way too important to leave it to the religious. Just like politics is way too important to leave it to career politicians. And I've started to believe that technology is way too important to leave it to tech companies and monopolies."
After four years and just over 200 conversations for this podcast, I’m feeling the need for a new kind of politics. One that would champion uncertainty, fragility, emotional vulnerability against the tyranny of opinions that push us one way or another. I used to think that art was sufficient for this purpose. After all, it was books like J.D. Salinger’s Franny and Zooey or Dostoevsky’s The Brothers Karamazov, bands like the Smiths and the Velvet Underground that gave a much younger me courage to embrace ambiguity as a great teacher.
Art’s an open door, but you have to walk through it. And it’s the politics and culture around you that shape your ability to do so. We’re hurting and hungry for connection. Sick of misunderstanding and violence. I think this is true all over the world. I think it runs so deep it’s like an underground river, one whose presence we can only guess at from the contours of the surface earth.
I’m very happy to be talking today with Turkish-born global citizen, novelist and activist Elif Shafak. She’s the author of HONOR, THE FLEA PALACE, and THREE DAUGHTERS OF EVE, among many other books. In her writing and public speaking, she’s one of the most eloquent voices I know of this new politics that doesn’t fit easily on any flag.
Surprise conversation starters in this episode:
Pete Holmes on #metoo and binary thinking