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When the Philadelphia Museum of Art purchased Henry Ossawa Tanner’s painting The Annunciation in 1899, they became the first American museum to acquire a work by an African-American artist. That purchase announced a new era of recognition of African-American art and artists just as much as the painting itself announced a new style of art moving away from stereotypical “black” scenes towards a freedom of aesthetic choice. Persons of color could express themselves in any way, even abstraction, but faced the new problem of remaining true to themselves at the same time. The new exhibition Represent: 200 Years of African American Art and accompanying catalogue show how these artists faced the challenges posed to them by art and society and provide all of us with a fascinating guide to facing African-American history—tragic, tenacious, transcendent—through its art.
According to a Pew Research study, if you count people who change from one type of Protestantism to another, “44% of American adults have either switched religious affiliation, moved from […]
Spurred by the growing mass-market acceptance of the Kindle e-book reader and the launch of the 800-pound Espresso print-on-demand machine, the publishing world is continuing to evolve in response to […]