To borrow a phrase fromBilly Idol, Dijkstra presents “flesh for fantasy” first as the nightmare of Puritanism and, more hopefully, as the perhaps impossible dream of a mature, open society.
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“Most artists have shied away from 9/11 as a theme in recent years, and who can blame them?” Art critic Richard Woodward says artists should again take on the events of 9/11.
Leave it to an Italian art publisher to do an American artist right. Skira’s Edward Hopper, distributed in the United States by Rizzoli, may be the finest single volume visually […]