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Whereas European countries were once able to tap into their history for subjects for opera, America’s never succeeded in doing the same. That problem comes in part from the decline in opera as a popular, public art form, but also perhaps from the lack of operatically epic subjects to be found in American history. Now, composer David T. Little hopes to create a modern American opera with JFK, a 2-act, 2-hour opera focusing on the life of President John F. Kennedy, whose life and death became defining moments not only for the Baby Boom generation, but also, many would suggest, the hinge upon which all American history turns for the last half century. Set to premier in 2016, JFK as a work-in-progress already raises important questions about how opera (and art in general) can approach history.
Why do Shakespeare’s plays have such a dramatic impact on readers and audiences? Philip Davis shows how Shakespeare’s use of language creates heightened brain activity, or what he calls “a theater of the brain.”