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When the Philadelphia Museum of Art purchased Henry Ossawa Tanner’s painting The Annunciation in 1899, they became the first American museum to acquire a work by an African-American artist. That purchase announced a new era of recognition of African-American art and artists just as much as the painting itself announced a new style of art moving away from stereotypical “black” scenes towards a freedom of aesthetic choice. Persons of color could express themselves in any way, even abstraction, but faced the new problem of remaining true to themselves at the same time. The new exhibition Represent: 200 Years of African American Art and accompanying catalogue show how these artists faced the challenges posed to them by art and society and provide all of us with a fascinating guide to facing African-American history—tragic, tenacious, transcendent—through its art.
            Should scientists advocate on policy issues, or, to protect their personal credibility and the credibility of their findings, should they just quietly do their work and avoid making policy […]
The word entrepreneur is tossed around a lot today, but it’s meaning changes depending on the context.  The concept was first introduced in 1723 by French economist Richard Cantillon but […]
Kudos to Tyler Cowen for stimulating public debate on an important policy option.  Now if someone will just move away from the popular distortions and dysfunctional politics to confront the […]
Observing the Roman Empire crumble from North Africa in the fifth century, St Augustine of Hippo decided that while waging war against fellow Christians was sinful, throwing up arms against […]
One salient feature of the United States in the 21st century is a belief that our school system – from pre-kindergarten to higher education – is failing us. There are […]
“Danger: Art Inside,” read the labels on the crated sculptures as I toured last month the almost-ready-for-public-viewing, but now restored, reinstalled, and reinterpreted Rodin Museum in Philadelphia, Pennsylvania. The signs […]
Art news always offers wonderful confluences that stir the imagination. The wonderful news that Paul Cézanne’s The Boy in the Red Waistcoat (detail shown above), which had been stolen by […]
1n 1947, Ukranian refugee Ihor Ševčenko wrote to England and persuaded George Orwell to authorize a Ukranian translation of Animal Farm. Over six decades later, writer Andrea Chalupa tracked down the story of this extraordinary man. 
The speed with which KONY 2012 went viral around the world has been stunning. Even if you don’t love the politics of Invisible Children’s “Stop Kony” campaign, it’s hard to […]
“All right, Mr. DeMille, I’m ready for my close-up,” says washed-up silent film star Norma Desmond in the final scene of Billy Wilder’s unforgettable 1950 film Sunset Boulevard. Gloria Swanson […]
–Guest post by Helen Wong, American University graduate student. In August 2011 the United Nations (UN) officially announced that Somalia was under famine. According to Ban Ki-Moon, the secretary general […]
Hopefully on this somber anniversary we can turn hindsight into wisdom, and realize that we have paid a terribly high price for the way fear has shaped the new normal since that terrible day.
GUEST POST BY JASON SILVA The spectacular think tank and apparel company The Imaginary Foundation states that “To Understand Is To Perceive Patterns”.  This seemingly simple sentence is actually utterly profound:  what it […]